Saturday, 28 January 2012
  • Interview
  • Review #1
  • Review #2
  • Review #3
  • Video

Ian Judge on Simon Boccanegra

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On the day that I interviewed Ian Judge I attended one of The Royal Opera’s invaluable Insight Evenings held in the Clore Studio. The subject was Verdi’s Simon Boccanegra and Ian was one of the speakers. No more authoritative contributor could be imagined since he is now staging the more familiar Revised Version of 1881 while utilising the production that...

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A Midsummer Night's Dream, Britten Theatre, London

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A darkened stage, a dozen imps in distressed doublets, a faint mist, a tang of sexual tension, a drowsy glissando and a heavy midsummer moon. Lit by Mark Doubleday and conducted by Michael Rosewell, Ian Judge's exquisite production of A Midsummer Night's Dream for the Royal College of Music was an example of just how enchanting less-is-more can be. No...

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Simon Boccanegra, Royal Opera House, London

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When does a revival of Simon Boccanegra effectively turn into a new production? When the staging, the sets and costumes were conceived for Verdi's first version of 1857, and revised, as was the opera, for the definitive later version of 1881. Verdi's revision was one of the most startling instances of creative transformation in the history of the genre. The...

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Simon Boccanegra, Canadian Opera Company

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How often does one experience an opera in which everything works — in which there is not one flaw either in the staging or in its musical dimensions?Toronto’s Canadian Opera Company overwhelmed its audience with just such perfection in the production of Verdi’s Simon Boccanegra that opened the company’s spring season in the still-new Four Seasons Centre for the Performing...

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Welcome to the Ian Judge Website

Ian Judge

Ian first joined the Royal Shakespeare Company in 1975. His productions there include The Wizard of Oz, The Comedy of Errors, Love’s Labour's Lost, Twelfth Night, A Christmas Carol, The Relapse, Troilus and Cressida and The Merry Wives of Windsor.

Other credits include:
The Rivals and King Lear at the Old Vic; Banana Ridge, One For The Pot and Peter Pan at the Shaw Festival in Canada; Macbeth (Sydney Theatre Company); Henry VIII and Love for Love for Chichester Festival Theatre and Macbeth at the Sydney Theatre Company, Australia.

Opera repertoire includes:
Madama Butterfly, Tosca, Le Nozze di Figaro, Don Carlos, Roméo et Juliette, Tannhäuser and Die Gezeichneten (Los Angeles); The Tales of Hoffmann (Sydney Opera, Houston, Opera Pacific); Faust, The Merry Widow, Cav/Pag, La Belle Vivette, Don Quixote, Mefistofele (ENO) also at the Teatro Colon, Buenos Aires; Der fliegende Holländer, Simon Boccanegra 1857 & 1881 versions (Royal Opera House, Covent Garden); Simon Boccanegra 1881 (Washington, Dallas); Macbeth (Cologne) and Faust, Tosca, Macbeth, Boris Godunov, Acis & Galatea and Attila for Opera North; Norma for Scottish Opera and Buhnen Graz; La Bohème (Mariinsky Theatre (Kirov), St Petersburg), The Mikado (Savoy Theatre), Salome (New York City Opera) and Falstaff (Theatre du Châtelet, Paris); Tannhäuser (Madrid).

Dame Dorothy Tutin in Henry VIII, Chichester Festival Theatre. 1990 Anna Netrebko and Rolando Villazón, La Bohème, St Petersburg 2006 Alistair Miles in Mephistopheles, ENO

Musicals include:
Sondheim’s Merrily We Roll Along (Bloomsbury Theatre); The Swan Down Gloves and The Wizard of Oz, RSC; Oh Kay!, Chichester Festival Theatre; Bitter Sweet, Sadler’s Wells & UK tour; A Little Night Music (Piccadilly Theatre, London); Show Boat (London Palladium and UK Tour) and West Side Story (Australia and New Zealand).

Barbara Bonney and Ildar Abdrazakov in Le Nozze Di Figaro, LA Opera Lucio Gallo in Simon Boccanegra, ROH 2008 Rolando Villazón and Anna Netrebko in Roméo et Juliette, LA Opera 2005

Recent works include:
Roméo et Juliette in Chicago; Tosca, Le Nozze di Figaro, Don Carlo and a new production of Tannhäuser in Los Angeles; and the first production in nearly 50 years of Ralph Vaughan Williams’ Sir John in Love at the English National Opera. He has recently directed a new production of Der fliegende Holländer for the Mariinsky Theatre, St Petersburg. In 2009 he made his debut at the Canadian Opera Company in Toronto (“Dora” Award Nomination, Best Opera Production 2009), and staged Tannhäuser at the Teatro Real, Madrid. His production of Britten’s A Midsummer Night’s Dream recently played at the Britten Theatre, London, and he has recently staged the North American Premiere of Schrekers' DIE GEZEICHNETEN in Los Angeles.